EE15: LACKTHROW – RELEASE 2xCDR
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Lackthrow is a name most unknown to noise fans of today but Andrew Powell has been active and creating noise under several different guises – twit/ch, Internal Empty, A Hymn For Her – since 1990. The project has been alive and hyperactive for many years and time has seen it take many forms from experimental surrealism, or harsh Masonna-influenced cut up noise, to power electronics and back again. Even spanning into weird ambience, synth-pop and cybergrind influences.
With Lackthrow’s Release Existence Establishment strives to present a cohesive collection of works from this underrated artist re-releasing a wealth of material, with the bulk of it having never formally seen the light of day before. Release is a 2 disc set spanning the outer reaches of sound, emotional noise, temper tantrums on tape, carefully edited blasts of noise, unadulterated improvisations, and enigmatic avant garde outings which are evidence of the spasms of an artist always on the edge yet never in the limelight and always searching for something unknown. Featuring material recorded between 1997 and 2009.
Disc I:
Disc II:
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From Black Audio webzine:
There is nothing more ludicrous than the packaging this 2CDr album provides. Seven inches of tar painted copper plating that provided me with as much entertainment trying to take out the CDr’s as much as it did actually listening to them; if nothing else it made me smile, cut fingers and all.
Andrew Powell’s Lackthrow spews a staggering 54 tracks out over two discs. With a visceral mash of power electronics and cold Industrial waste, that assaults the senses from every angle. Much of this has been heard before and that by no means is an insult in a market as saturated as this project lingers within; if anything, Lackthrow holds its own well.
Let’s be honest now; there aren’t that many releases from the genre that can actually be termed ‘good’. I do raise my hand in admission that PE is one of my guilty pleasures, fully aware that the majority I play now and again is absolute hogwash, requiring little to no talent at all. There are exceptions to the rule however, with Control and Slogun being a prime example of consummate professionalism, providing PE with a purpose and necessary soapbox, where the sounds on offer are clinically executed to devastating effect.
Lackthrow doesn’t achieve the same heights as his peers. Then again many artists of this ilk rarely do; what they do provide however, as in the case of Powell, is an essential insight into B division solidarity.
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