Atarah – S/T CS
Auric Records
Atarah is a mysterious project devoted to occult ambient music with a slight hint of black metal. Instead of a haphazard jam fixed under the pretense of some mystical vaguely-eastern-dipped “exotic” experience, Atarah have conceived a diverse piece of music that glimmers with an aura of ritual without much of the fluff.
The compositions on this tape are seemingly deliberate and intentional offerings that do feel ritualistic in the same way a project like Ark-Tau-Eos does in that there is a subtle but distinguished eloquence …
Nycterent – S/T CS
Last Mercy Recordings
This self-titled tape represents a new name and a new perspective, but those familiar with Jon’s previous project, Erroraeon, will find solace in the fact that Nycterent is every bit as mangled and painful, perhaps even more so.
No track names are given, and in this case it works well…you have no way of anticipating the next movement because the tracks blend together seamlessly (or maybe it’s one track with several movements…). The layers of writhing tones upon one another is a strength of this …
Will Over Matter – Visio ja toteutus CS
Freak Animal Records
Will Over Matter has been briefly mentioned around here for the fact that the man behind the project plays in the raw and grotesque black metal band Ride For Revenge as well as a number of other projects. Visio ja totetus is an album of discarded innards of patterned minimalism, with a focus on microscopic nuances and shifts.
Repetition is no problem, but there is a fine line between looping on and on til the needle breaks and building out something …
Every year since 2012, we have been treated to a quality collaborative compilation between the iconic Malignant Records—a label that I recently described as “the leading name releasing the new generation of old-school industrial and dark ambient music today”—and arguably the strongest digital label that our scene has to offer in Kalpamantra. Originally finding a run as The Malignant Series, the annual compilation found a life of its own last year with Endless Descent Into Oblivion: a thirty-nine-track marathon of nearly perverse audial violence (The Vomit Arsonist‘s “Failed”; …